Books in New York Review of Books Children's Collection series

WHAT IS JUNKET?Junket is a delicious custard and a lovely dessert.But why is the old man with a red beard and red slippers eating such an enormous bowl of junket, and what could he possibly be thinking about while he feasts?That’s a good question! And one that the old man poses to the crowds and crowds of people that gather to watch him. In fact, almost everyone in the whole world wants to know the answer to this riddle.And only one little boy has the answer.This ingenious book of inspired nonsense was the very first from Dorothy Kunhardt, whose Pat the Bunny has delighted generations of young children.

A time-travel story that is both a poignant exploration of human identity and an absorbing tale of suspense.It's natural to feel a little out of place when you're the new girl, but when Charlotte Makepeace wakes up after her first night at boarding school, she's baffled: everyone thinks she's a girl called Clare Mobley, and even more shockingly, it seems she has traveled forty years back in time to 1918. In the months to follow, Charlotte wakes alternately in her own time and in Clare's. And instead of having only one new set of rules to learn, she also has to contend with the unprecedented strangeness of being an entirely new person in an era she knows nothing about. Her teachers think she's slow, the other girls find her odd, and, as she spends more and more time in 1918, Charlotte starts to wonder if she remembers how to be Charlotte at all. If she doesn't figure out some way to get back to the world she knows before the end of the term, she might never have another chance.

The Magic Pudding is a pie, except when it's something else, like a steak, or a jam donut, or an apple dumpling, or whatever its owner wants it to be. And it never runs out. No matter how many slices you cut, there's always something left over. It's magic.But the Magic Pudding is also alive. It walks and it talks and it's got a personality like no other. A meaner, sulkier, snider, snarlinger Pudding you've never met.So Bunyip Bluegum (the koala bear) finds out when he joins Barnacle Bill (the sailor) and Sam Sawnoff (the penguin bold) as members of the Noble Society of Pudding Owners, whose "members are required to wander along the roads, indulgin' in conversation, song and story, and eatin' at regular intervals from the Pudding." Wild and woolly, funny and outrageously fun, The Magic Pudding stands somewhere between Alice in Wonderland and The Stinky Cheese Man as one of the craziest books ever written for young readers.

During the twelve years of Hitler’s Third Reich, very few Germans took the risk of actively opposing his tyranny and terror, and fewer still did so to protect the sanctity of law and faith. In No Ordinary Men, Elisabeth Sifton and Fritz Stern focus on two remarkable, courageous men who did—the pastor and theologian Dietrich Bonhoeffer and his close friend and brother-in-law Hans von Dohnanyi—and offer new insights into the fearsome difficulties that resistance entailed. (Not forgotten is Christine Bonhoeffer Dohnanyi, Hans’s wife and Dietrich’s sister, who was indispensable to them both.)From the start Bonhoeffer opposed the Nazi efforts to bend Germany’s Protestant churches to Hitler’s will, while Dohnanyi, a lawyer in the Justice Ministry and then in the Wehrmacht’s counterintelligence section, helped victims, kept records of Nazi crimes to be used as evidence once the regime fell, and was an important figure in the various conspiracies to assassinate Hitler. The strength of their shared commitment to these undertakings—and to the people they were helping—endured even after their arrest in April 1943 and until, after great suffering, they were executed on Hitler’s express orders in April 1945, just weeks before the Third Reich collapsed.Bonhoeffer’s posthumously published Letters and Papers from Prison and other writings found a wide international audience, but Dohnanyi’s work is scarcely known, though it was crucial to the resistance and he was the one who drew Bonhoeffer into the anti-Hitler plots. Sifton and Stern offer dramatic new details and interpretations in their account of the extraordinary efforts in which the two jointly engaged. No Ordinary Men honors both Bonhoeffer’s human decency and his theological legacy, as well as Dohnanyi’s preservation of the highest standard of civic virtue in an utterly corrupted state.

Sheila Burnford, the author of The Incredible Journey, offers the spellbinding tale of a small dog caught up in the Second World War, and of the extraordinary life-transforming attachments he forms with the people he encounters in the course of a perilous passage from occupied France to besieged England.Nameless, Burnford’s hero first turns up as a performing dog, a poodle mix earning his keep as part of a gypsy caravan that is desperately fleeing the Nazi advance. Taken on ship by the Royal Navy, he is given the name of Ria and serves as the scruffy mascot to a boatload of sailors. Marooned in England in the midst of the Blitz, Ria rescues an old woman from the rubble of her bombed house, and finds himself unexpectedly transformed into Bel, the coiffed and pampered companion of her old age.Bel Ria is an exciting story about a compellingly real, completely believable dog. Readers of all sorts and ages will find in Bel Ria a companion to take to heart.

Bob, Son of Battle, is a sheepdog so canny and careful of his flock, so deeply devoted to his master, James Moore, and so admired for his poise and wisdom by the residents of a small village in the rugged mountains of England’s North Country, that young though he is, he is already known as Owd Bob. In a recent contest, Bob has proved himself a matchless sheepdog, and if he wins the trophy two more times, he’ll be seen as equal to the legendary sheepdogs of yore. But Bob has a real rival: Red Wull, with his docked tail and bristling yellow fur, a ferocious creature, just like his diminutive master, Adam McAdam, a lonely Scot, estranged not only from his English neighbors but from his son, David. McAdam just can’t stop belittling this strapping young man, all the more so since David began courting Moore’s beautiful daughter Maggie. But what McAdam really wants is for his beloved Wullie to wrest the prize from Bob once and for all. The story takes a darker turn when a troubling new threat to the local flocks emerges. A dog has gone rogue, sneaking out at night to feast on the flesh and blood of the sheep he is bound to protect. Again and again, new sheep fall prey to this relentless predator; again and again, he slips away undetected. This master hunter can only be among the boldest and sharpest of dogs . . . Bob, Son of Battle has long been a beloved classic of children’s literature both in America and in England. Here the celebrated author and translator Lydia Davis, who first read and loved this exciting story as a child, has rendered the challenging idioms of the original into fluent and graceful English of our day, making this tale of rival dogs and rival families and the shadowy terrain between Good and Bad accessible and appealing to readers of all ages.

Dino Buzzati's classic tale chronicles the terrible winter that sent the starving bears down into the valley in search of food, as well as their struggles with an army of wild boars, a wily professor who may or may not be a magician, snarling Marmoset the Cat, and, worse still, treachery within their own ranks. Over all this, the bears triumph with bravery, ingenuity, humility, and high spirits.

Black and Littlejack are bad men. Littlejack has a map that indicates the existence of a treasure on a far and lonely island. He needs a ship to get there. Black has a ship. So they team up and sail off on Black’s vessel, the Aeiu. “A weird uncanny name,” remarks Littlejack, “like a nightbird screaming.” Black explains that it’s all the vowels except for O. O he hates since his mother got wedged in a porthole. They couldn’t pull her in so they had to push her out.Black and Littlejack arrive at the port of the far and lonely island and demand the treasure. No one knows anything about it, so they have their henchmen ransack the place—to no avail. But Black has a better idea: he will take over the island and he will purge it of O.The vicissitudes visited on the islanders by Black and Littlejack, the harsh limits of a life sans O (where shoe is she and woe is we), and how finally with a little luck and lots of pluck the islanders shake off their tyrannical interlopers and discover the true treasure for themselves (Oh yes—and get back their O’s)—these are only some of the surprises that await readers of James Thurber’s timelessly zany fairy tale about two louts who try to lock up the language—and lose.

A Carnegie Medal Honor BookTwelve-year-old Smith is a denizen of the mean streets of eighteenth-century London, living hand to mouth by virtue of wit and pluck. One day he trails an old gentleman with a bulging pocket, deftly picks it, and as footsteps ring out from the alley by which he had planned to make his escape, finds himself in a tough spot. Taking refuge in a doorway, he sees two men emerge to murder the man who was his mark. They rifle the dead man’s pockets and finding them empty, depart in a rage. Smith, terrified, flees the scene of the crime. What has he stolen that is worth the life of a man?Smith is a gripping, engrossing, and utterly diverting tale of high adventure related by a writer whose scintillating style is matched only by the dazzle of his plotting. In the words of Lloyd Alexander, “Garfield is unmatched for sheer exciting storytelling. The reader simply can’t stop reading him.”

Harrison liked to hold his umbrella in the rain. He also held it in the sun.He found it very helpful in the snow. But most of all he loved to hold it open in the house. In fact, Harrison was the only child on his block to hold an open umbrella in his hand all the time. How his friends admired him! Then one rainy day, after the rain was over, all the children held umbrellas, and they, too, continued to hold the umbrellas open. They all found them useful in the sun, helpful in the snow, and loved them in the house. Complications? Of course! But that’s all part of the story.

50th Anniversary Edition Do you know the history of the pushcart war? The REAL history? It’s a story of how regular people banded together and, armed with little more than their brains and good aim defeated a mighty foe. Not long ago the streets of New York City were smelly, smoggy, sooty, and loud. There were so many trucks making deliveries that it might take an hour for a car to travel a few blocks. People blamed the truck owners and the truck owners blamed the little wooden pushcarts that traveled the city selling everything from flowers to hot dogs. Behind closed doors the truck owners declared war on the pushcart peddlers. Carts were smashed from Chinatown to Chelsea. The peddlers didn’t have money or the mayor on their side, but that didn’t stop them from fighting back. They used pea shooters to blow tacks into the tires of trucks, they outwitted the police, and they marched right up to the grilles of those giant trucks and dared them to drive down their streets. Today, thanks to the ingenuity of the pushcart peddlers, the streets belong to the people—and to the pushcarts. The Pushcart War was first published fifty years ago. It has inspired generations of children and been adapted for television, radio, and the stage around the world. It was included on School Library Journal’s list of “One Hundred Books That Shaped the Twentieth Century,” and its assertion that a committed group of men and women can prevail against a powerful force is as relevant in the twenty-first century as it was in 1964.

Though one of the best-known books in the world, Pinocchio at the same time remains unknown—linked in many minds to the Walt Disney movie that bears little relation to Carlo Collodi’s splendid original. That story is of course about a puppet who, after many trials, succeeds in becoming a “real boy.” Yet it is hardly a sentimental or morally improving tale. To the contrary, Pinocchio is one of the great subversives of the written page, a madcap genius hurtled along at the pleasure and mercy of his desires, a renegade who in many ways resembles his near contemporary Huck Finn. Pinocchio the novel, no less than Pinocchio the character, is one of the great inventions of modern literature. A sublime anomaly, the book merges the traditions of the picaresque, of street theater, and of folk and fairy tales into a work that is at once adventure, satire, and a powerful enchantment that anticipates surrealism and magical realism. Thronged with memorable characters and composed with the fluid but inevitable logic of a dream, Pinocchio is an endlessly fascinating work that is essential equipment for life. Geoffrey Brock’s acclaimed new translation is reissued in an edition for children with over fifty full-page watercolors by Fulvio Testa.